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“Cove Soup”


It’s a new year. Spring is on its way…though the weather here in Georgia has been…erratic. My daughter and I have been sick with upper respiratory since Thanksgiving. I was even pretty close to deaf for a month and a half.

But now we’re well-er.

It’s time to get back to work. It’s so hard to put your all into your work when you feel like you just want to stay in bed. Add that to this being Courtney’s last semester of college and all that goes with that, and her last magazine and all that goes with that, I’ve been in the car a LOT.

So, again, it’s time to get back to work.

As writers, we get to play creator. We build our characters, their lives, their worlds, and of course, something of ourselves–or someone we know–seeps into their personalities. But their worlds are a little more difficult.

We can sit still and look out our window and create from that, or travel a bit and set it somewhere we find interesting. But what happens if what we see isn’t what’s in our imagination. Unless we’re writing Fantasy or SciFy, or we’ve “seen” our character’s world in some tv show, movie, etc. making up the world can be a bit less than realistic.

This is what I’ve run into while trying to build Moonlight Cove, the mountain village where I’ve set my new contemporary series, Happily Ever After. I could see the village. I kind of knew where it would need to be–I knew I’d even seen bits of pieces of it before, but I had no idea where it was.

So, I began making soup.

Have you ever made soup on a cold, wet and blustery day? I’m not talking about opening a can of Campbell’s or adding meat to Soup Starter, but real soup–the kind where you start grabbing things out of the fridge and pantry and putting together a hearty, rich, bubbly pot of soup. The kind you eat with crusty bread and homemade parmesan crisps and drink Southern iced tea so sweet it makes your hair curl.

Well, that’s how Moonlight Cove was born. I took photos and film snippets that I’d taken on day trips around North Georgia and spliced them all together to create my “Cove Soup.”

Moonlight Cove is a make believe village nestled in North Georgia. The town limits run along a five mile stretch of divided highway, split by a white water stretch of river. A couple bridges cross the river to connect the two halves of the town built at the bases and up the sides of two mountains, Us Mountain and Them Mountain.

The people of the Cove live together as family, and like most families, they have squabbles, and friendships, and secrets, love each other and will fight fiercely for each other. Moonlight Cove is a strong and protective member of this family.

SOMETHING BORROWED,  book one of the HEA series comes out from Desert Breeze Publishing, Inc. and Amazon.com on March 12, 2016. I hope you find yourselves deliciously lost in the Cove like I’ve been while writing.

Join us and be part of the soup…

 

Cover Wars at AuthorShout.com


Thank you all for your many votes for my cover for Kate’s House in Author Shouts’ Cover Wars. I’m thrilled you love it as much as I do, and Carol Fiorillo deserves so much praise for her talent. (She’s a sweetheart, too.) Please go to authorshout.com and click the Cover Wars tab at the top and keep voting. Four more days. One vote per day. Thank you again and sending big hugs.

KatesHouseCoverArt72dpi

Author Interview seventh question


And the last, best, and most visual question for Author, Sheryl Hames Torres: Referring to either your most recent book release, or your current WIP, if you were to cast your characters, what actors would portray them? Tell us about the character, and why the actor/actress fits.

ROFL…my poor writers’ group members will tell you that I drive them nuts, not only casting my own characters, but almost forcing them to cast their stories as well. When I’m writing a story, I may cast someone by looks alone, or perhaps I’ll see him/her in a role that screamed my own. Often though, by the time you finish your story, that casted actor may be too old, may be starring in something else where you say, “What was I thinking??” I tend to cast because of movements or attitude. It always helps to SEE your character in motion, catch tics, mannerisms, even the speech patterns. That does not, however, mean if they have a southern accent, you can’t force them to use an Irish one. Also, sometimes I cast people from photos that fit, even though I may not have any idea who they are. I give you the cast of my latest release, Kate’s House.

Anson Mount as Ian Stuart(WITH the beard, his dimples drive me nuts. LOL)

Hair model as Kate

Skyler Samuels as Crysta

Colin Ford as Liam

Maggie Elizabeth Jones as Livvy

Jasika Nicole as Reggie

Blake Michael as Rocky Lando

Maria Cesaria Cordel Encantado as Jannette

Miss Cicely Tyson as Nannette

Desert Breeze Publishing, Inc.'s photo.Desert Breeze Publishing, Inc.'s photo.
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Author Interview sixth question


Next question for Author, Sheryl Hames Torres: What is the hardest part of writing for you?

TIME!!!! Before my children, I worked a sixty hour job as the manager of a needlework shop, as well as often taught classes on Saturday. After my daughter was born, I worked that same job and those same hours, and took her along with me. Six months later, my husband gave me the Stay-at-Home-Mom status. I did custom work and antique needlework restoration for various historical societies, even through my daughter’s illness and recovery, until she started college. She’s about to graduate with her third degree, despite not being confident enough to drive–just call me James. LOL So, through all that, I’ve managed to sneak in a little writing at a time. Most times I’m working on several stories at a time. It works.

Author Interview fifth question


Fifth question for Author, Sheryl Hames Torres: Pick five words to describe your writing style/voice… then tell us why you chose each word.

Irreverent–I’ve never been one to back down or believe or not believe something simply because that’s what I’m supposed to do. I draw characters who are the same way–be they children or old ghosts. Every character I create has at their core some belief system and they always follow it–good or ill. Which brings me to…

Emotional– All my stories are built around the character’s emotions. Their belief systems often drag them along from chapter to chapter and decide how they’ll react to whatever situation or other character they encounter. They will defend the things they think are important to the exclusion of many other “supposed to be important” things, and the resulting feelings–happy, sad, terrifying, and exhilarating–build the stories. This very often will include the emotions in the settings as well. I met an old lady once who smoked a cigar and drank moonshine. She was the most irreverent and the most fascinating woman I ever met. And that brings me to…

Lighthearted–In the immortal words from Legend, “there can be no good without evil….No love without hate….No heaven without hell….No light without darkness.” I take it a little further–“there can be no sorrow without happiness…not pain without humor” or you dissolve. Which brings me to…

Honest–While I adore fantasy, fairy tales and make believe, I can’t stand things or people who don’t ring true. I try very hard to make my characters breathe. I want them to walk off my pages, take my readers’ hands and pull them into the stories.

Southern–I am southern. I’ve lived in Delaware and Michigan, and still I came out southern. I lived in Florida and even though it’s south of Georgia, only certain parts of the state are really southern. Ninety percent of my characters are southern. Most bleed Georgia red clay, buttermilk and cornbread. There will be “sayings”. There will be accents–if not of the tongue, surely of the heart.

Author Interview fourth question


Fourth question for Author, Sheryl Hames Torres: Do you work any reality from your own life into your novels? If so, do you change it to make it more or less dramatic? How and why?

I’ve never heard that Peter Benchley ever out-swam big sharks, or William Peter Blatty had a family member whose hobby was spinning her head around, or for that matter that Michael Crichton grew dinosaurs in his backyard. However, like actors draw on events in his/her life to reflect emotion in a script, so does an author have to be able to connect with something in their lives to make his/her stories real.

In most of my stories you’ll find children because I believe they are the extensions of love, of growth and survival. I know what it’s like to love a child with the very essence of my cells, be terrified while praying like a manic priest the kid lands on his feet with his ankles still intact when he’s done taking flying flips off buildings.If there’s an argument between a married or dating couple I know just how to make him stubborn, and how far she can grind her teeth before she decides to thump him in the forehead. LOL I know what spring air/rain tastes like, what fall smells like. I know from spending July in Georgia what the backdoor of hell feels like, and I know claustrophobia from being stuck indoors for a couple of days when 3 feet of that horrible white stuff falls even though it’s not supposed to blanket Georgia backyards. So I put as much of that as I can in my stories.

KatesHouseCoverArt72dpi      IllusionsCoverArt72dpi    Kate’s House and Illusions now available at Amazon.com

Author Interview third question


Third question for Author, Sheryl Hames TorresHow did you choose the genre you write in? Or did it choose you? Tell us why you love writing in whatever genre you consider your favorite (if you write in different genres).

I write romance, pure and simple, but that doesn’t mean that’s the only genre I play with. I believe in love. Love between a man and woman, parent and child, best friends. I’m a diehard believer in love. Without it, everything would be clinical but it wouldn’t matter because no one would be here to enjoy it. So whether I’m writing paranormal, or suspense, or whatever, there will ALWAYS be love of one kind or another involved, romance of some sort, but NOT the “okay, there’s a lull, let’s jump the main character so there’s a break in the tension” romance. When I read something like that, I see the romantic almost-scene from the 1990 film, The First Power, and giggle. “Logan, what are you doing?”